The following texts will shape our conversations throughout the conference.
Abel, Marco, and Jaimey Fisher, eds. The Berlin School and Its Global Contexts: A Transnational Art Cinema. Detroit: Wayne State University Press, 2018.
Allan, Séan, and Sebastian Heiduschke, eds. Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts. New York: Berghahn, 2016.
Davidson, John. Deterritorializing the New German Cinema. Minneapolis: University of Minnesota Press, 1998.
Doherty, Thomas. Hollywood and Hitler, 1933–1939. New York: Columbia University Press, 2013.
Eichmanns, Gabriele, and Yvonne Franke, eds. Heimat Goes Mobile: Hybrid Forms of Home in Literature and Film. Cambridge: Cambridge Scholars Publishing, 2013.
Elsaesser, Thomas. Film History as Media Archaeology: Tracking Digital Cinema. Amsterdam: Amsterdam University Press, 2016.
Fenner, Angelica. Race Under Reconstruction in German Cinema: Robert Stemmle’s Toxi. Toronto: University of Toronto Press, 2011.
Florin, Bo, Nico de Klerk, and Patrick Vonderau. Films That Sell: Moving Pictures and Advertising. London: British Film Institute, 2016.
Gueneli, Berna. Fatih Akin’s Cinema and the New Sound of Europe. Bloomington: University of Indiana Press, 2019.
Haase, Christine. When Heimat Meets Hollywood: German Filmmakers and America, 1985–2005. Rochester: Camden House, 2007.
Hake, Sabine. “Forum: German Film Studies.” German Studies Review 36.3 (2013): 643–660.
---. “German Cinema as European Cinema: Learning from History.” Film History 25.1–2 (2013): 110–117.
Hake, Sabine, and Barbara Mennel, eds. Turkish German Cinema in the New Millenium: Sites, Sounds, and Screens. New York: Berghahn, 2012.
Halle, Randall. The Europeanization of Cinema: Interzones and Imaginative Communities. Champaign: University of Illinois Press, 2014.
---. German Film after Germany: Toward a Transnational Aesthetic. Champaign: University of Illinois Press, 2008.
Hediger, Vinzenz and Patrick Vonderau. Films That Work: Industrial Film and the Productivity of Media, eds. Amsterdam: Amsterdam University Press, 2009.
Kaes, Anton. “German Cultural History and the Study of Film: Ten Theses and a Postscript.” New German Critique 65 (1995): 47–58.
Schindler, Stephan, and Lutz Koepnick, eds. The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present. Ann Arbor: The University of Michigan Press, 2007.
Silberman, Marc. “What is German in the German cinema?” Film History 8.3 (1996): 297–315.
Silberman, Marc, and Henning Wrage, eds. DEFA at the Crossroads of East German and International Film Culture. Berlin: de Gruyter, 2014.
Winkel, Roel Vande, and David Welch, eds. Cinema and the Swastika: The International Expansion of Third Reich Cinema. New York: Palgrave Macmillan, 2007.
Abel, Marco, and Jaimey Fisher, eds. The Berlin School and Its Global Contexts: A Transnational Art Cinema. Detroit: Wayne State University Press, 2018.
Allan, Séan, and Sebastian Heiduschke, eds. Re-Imagining DEFA: East German Cinema in its National and Transnational Contexts. New York: Berghahn, 2016.
Davidson, John. Deterritorializing the New German Cinema. Minneapolis: University of Minnesota Press, 1998.
Doherty, Thomas. Hollywood and Hitler, 1933–1939. New York: Columbia University Press, 2013.
Eichmanns, Gabriele, and Yvonne Franke, eds. Heimat Goes Mobile: Hybrid Forms of Home in Literature and Film. Cambridge: Cambridge Scholars Publishing, 2013.
Elsaesser, Thomas. Film History as Media Archaeology: Tracking Digital Cinema. Amsterdam: Amsterdam University Press, 2016.
Fenner, Angelica. Race Under Reconstruction in German Cinema: Robert Stemmle’s Toxi. Toronto: University of Toronto Press, 2011.
Florin, Bo, Nico de Klerk, and Patrick Vonderau. Films That Sell: Moving Pictures and Advertising. London: British Film Institute, 2016.
Gueneli, Berna. Fatih Akin’s Cinema and the New Sound of Europe. Bloomington: University of Indiana Press, 2019.
Haase, Christine. When Heimat Meets Hollywood: German Filmmakers and America, 1985–2005. Rochester: Camden House, 2007.
Hake, Sabine. “Forum: German Film Studies.” German Studies Review 36.3 (2013): 643–660.
---. “German Cinema as European Cinema: Learning from History.” Film History 25.1–2 (2013): 110–117.
Hake, Sabine, and Barbara Mennel, eds. Turkish German Cinema in the New Millenium: Sites, Sounds, and Screens. New York: Berghahn, 2012.
Halle, Randall. The Europeanization of Cinema: Interzones and Imaginative Communities. Champaign: University of Illinois Press, 2014.
---. German Film after Germany: Toward a Transnational Aesthetic. Champaign: University of Illinois Press, 2008.
Hediger, Vinzenz and Patrick Vonderau. Films That Work: Industrial Film and the Productivity of Media, eds. Amsterdam: Amsterdam University Press, 2009.
Kaes, Anton. “German Cultural History and the Study of Film: Ten Theses and a Postscript.” New German Critique 65 (1995): 47–58.
Schindler, Stephan, and Lutz Koepnick, eds. The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present. Ann Arbor: The University of Michigan Press, 2007.
Silberman, Marc. “What is German in the German cinema?” Film History 8.3 (1996): 297–315.
Silberman, Marc, and Henning Wrage, eds. DEFA at the Crossroads of East German and International Film Culture. Berlin: de Gruyter, 2014.
Winkel, Roel Vande, and David Welch, eds. Cinema and the Swastika: The International Expansion of Third Reich Cinema. New York: Palgrave Macmillan, 2007.